Dig Those Groovy Tunes!

the only sound that's left after the ambulances go

New Regular Feature: Cover Story December 5, 2011

After a few months of serious writer’s block, inspiration struck me one morning a couple of weeks ago.  It came to me on the car ride to work, in the form of “Dandy” by Herman’s Hermits.[1]  I’ve heard The Kinks’ version of the same song at least a dozen times, it being a track on my much beloved Kinks compilation CD set The Ultimate Collection.  However, until that morning, I’d been completely unaware that Herman’s Hermits had also recorded a version.  This was kind of a big deal for me because, despite my being less than a quarter century old, I’ve been practically raised in a vacuum of pop, rock, and folk hits of the ’60s, so it’s not every day I encounter a previously undiscovered song[2] from that era.  And so it got me thinking.

 

First of all, it got me thinking of the differences and similarities between the two versions.  For one thing, the Hermits version didn’t sound a whole heck of a lot different from the Kinks version, and yet the very subtlety of those differences only enhanced the feeling that two completely disparate moods were being expressed between the two.  Now I realize that part of this observation might be colored by my own understanding of The Kinks and Herman’s Hermits from the standpoint of someone who was born long after both bands ceased to be contemporary and whose views of each — i.e. Kinks =”rock” and Herman’s Hermits = “pop” — are therefore inevitably informed by modern-day popular opinion and the retrospective pigeonholing of once unclassified groups into newly invented and ever-narrowing categories or “subgenres.”  But to me, there’s a trace of venom in the Kinks version that the Hermits version seems to lack completely.  I’d even go as far to say that Herman’s Hermits aren’t capable of the acidity, of the subtle mean-spiritedness that’s so prevalent in The Kinks’ body of work.  The Hermits’ softer edge does not necessarily make an inferior version of “Dandy;”[3] if anything, it makes both versions more interesting, because why bother covering something someone else has done if you’re not going to put your own spin on it?[4]  Like I said, it might just be that Peter “Herman” Noone — or his musical persona, anyway — comes off as a much more benign and amiable person than Ray Davies does,[5] but to me, while the Hermits version comes off as the kind of playful taunting that could only a close friend of the eponymous good-natured playboy could get away with, Davies’ tone on the same song is anything but friendly; he can barely contain its contempt (or perhaps bitter envy?) for the womanizing ne’er-do-well.

 

 

 

So that’s what the Herman’s Hermits version of “Dandy” got me thinking a couple of weeks ago.  But that’s not all.  It also reminded me of all those times I’ve thought critically (or maybe even not so critically) about cover songs, and all the times I’ve wanted to geek about the subject on here but never really had enough incentive to do so.  I’ve toyed several times with the idea of compiling a top-ten list revolving around cover songs, such as “Top Ten Cover Songs You’ve Never Heard” or “Top Ten Cover Songs That are at Least as Good as the Original.”  I’ve ultimately rejected such ideas for numerous reasons:  the tedium of choosing just a select few songs that I deem worthy out of an innumerable and ever-growing entirety of cover songs;[6] the presumptuous nature of phrases like “that you’ve never heard” or even “that are at least as good as the original”; the fact that “little-known cover” just as often means “song that is well known but, unbeknownst to many, is not the original version”;[7] the whole tricky question of, “if Singer-Songwriter A writes a song, Group B records it, and then, years later, Singer-Songwriter A decides to record the song themself, who’s covering who?”[8]  You get the idea.  So I figured I’m gonna make this a regular, recurring feature on this blog instead.  ‘Cause I’ve got a lot to say about different interpretations of songs, and one blog post isn’t gonna be enough to say all I’ve gotta say.  Plus, this’ll give me a lot more to blog about on a regular basis.  Y’know, between the infrequent and ill-named Video of the Week posts; tirades against sexism, stupidity, bad radio, and what used to pass for music television; occasional Top-Ten lists involving long-defunct bands that no one my age has any excuse to know as much as I do about; and geekfests over Jack White/Noel Fielding/Muppets/etc.  Oh, yeah, and that apology to Kate Moss I’ve been meaning to write.

 

Oh, and feel free to post in the comments section.  I’d be happy to hear whatever suggestions my readers (readers?  What readers?) might have about what cover songs they’d like me to…well…cover here.  Or anything else you’d like to say, as long as it’s not nasty or immature (I’ll take criticism as long as it’s not name-call-y or irrational).  It gets lonely here sometimes.

 

Edit:  I couldn’t get the footnotes to work properly because I’m not sure how to link to another place in the same document.  So when you see a number between brackets, [like this], it means that there’s a correlating footnote at the bottom, but you’ll have to scroll down manually for now to read because I’m not tech-savvy enough.  I was hoping the footnotes would be a good alternative to the parenthetical asides that always seem to clutter up my posts, but I guess I’ll have to go back to posting like that for now.

 

[1]   And I know that this particular version was by Herman’s Hermits because it was on satellite radio and that little title screen thing told me so.

[2]   Or, in this case, a familiar group’s unfamiliar rendition of a somewhat familiar song by another familiar group.

[3]   I, for one, will always think of “Dandy” as a Kinks song.  But then, I’ll always think of “Bang Bang (My Baby Shot Me Down)” as a Cher song, which has spurred arguments with friends who swear by the Nancy Sinatra version.

[4]   David Lee “Just a Facsimile Gigolo” Roth, I’m looking at you.

[5]   To put things in perspective, I’m pretty sure Ray doesn’t get along too well with his own brother.  Who was also his bandmate.

[6]   Compiling a list of top studio albums or music videos of a band that’s long gone:  tricky, maybe, but manageable.  Trying to pick a tiny handful of end-all-be-all essential out of an eternally-expanding wellspring of material:  impossible and futile.

[7]   See also “Cum on Feel the Noize”; “Tainted Love”; “House of the Rising Sun”; “I Shot the Sheriff”; “All Along the Watchtower.”

[8]   See also Kris Kristofferson; Carol King; Bob Dylan.

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Just about done with those Christmas leftovers? Here’s some more… December 31, 2009

Hey, everyone!  I realize I haven’t posted in a while.  I was insanely busy working on finals, and then had limited internet access due to having to share computer time (and space) with family members.  But now that a certain relative is no longer sleeping in the only room in the house that gets internet access, and now that I have my own laptop hooked up to an ethernet cable, I’m back on the blog!  Anyway, since I have this big heapin’ helping of Christmas-themed videos that I found on YouTube and wanted to share with you readers, and because one day of Christmas a year just ain’t enough for me, I’m gonna go ahead and post the links on here, even if it’s a week late.

First of all, since I may have made a passing reference to this video during my inaugural “Video of the Week” post…

And now that I’ve got you in the garage rockin’ Christmas spirit, here are The Ramones:

Now for an oldie-but-goodie from the late and great Eartha Kitt…

Don’t think I’ve forgotten you, either, fellow children of the nineties (by the way, whether you grew up in the nineties or not, if you haven’t seen this film yet, you are deeply deprived.  Even if it did scare the bejeezus out of me when I was in preschool)…

Here’s a video from Bob Dylan’s new Christmas album (an aesthetic upon which my kindred spirit rock buddy Adam and I will, sadly, never agree.  Sure, what little voice he ever had is totally gone now.  That’s not gonna keep me from dancing around like an idiot to this song):

And what would Christmas be without a rockin’ obscure song by everyone’s favorite candy-cane-colored band?

And now, how ’bout some Christmas specials?!  Here’s some fine mid-1970s yuletide madness brought to you by Eric Idle and THE GREATEST MUSICIAN IN THE HISTORY OF ROCK MUSIC, PERIOD, END OF STORY (in my humble opinion, of course), Mr. George Harrison:

And this has been a favorite of mine for a couple of years, The Monkees Christmas special, featuring that kid from The Munsters (who literally has nothing better to do with his time these days than to appear — for reasons I can’t even begin to comprehend — signing books at a little table in the merch room at Beatlefest.  I’ve seen him there for the past two years.  My roommate and I even had the chance to ask him what it was like to work with The Monkees.  He was rather nice, for a faded child star):

Part 1:  http://www.youtube.com/watch?v=1jSFwcVYIkE

Part 2:  http://www.youtube.com/watch?v=0mH48_NXUJU

Part 3:  http://www.youtube.com/watch?v=D1gT9gLx1VM

And for those of you who are as hooked on British comedy and/or parodies of cheesy movies as I am, here’s AD/BC:  A Rock Opera, a 30-minute special which I discovered over the summer during the height of my Mighty Boosh binge (the special features several actors who have appeared on The Mighty Boosh.  And The IT Crowd.  And Garth Marenghi’s Darkplace.  And I mean, the same four actors who’ve been in all these shows are in AD/BC).  It’s a parody of all those Christian rock musicals/operas that came out in the mid-to-late-1970s, and it’s the story of the nativity told from the point of view of the innkeeper.  My favorite part is Tony Iscariot’s (apparently the father of Judas) epic song at the end of Part 1:

Part 1:  http://www.youtube.com/watch?v=8nu-KK6FfjA

Part 2:  http://www.youtube.com/watch?v=q37UomRayr0

Part 3:  http://www.youtube.com/watch?v=p7DWq6GfP0Y

And now, don’t think I’ve forgotten you Jews out there (I’m 1/2 Jewish myself.  And yes, I’m fully aware that Hanukkah was at the beginning of December this year).  I’ll let Mr. Sandler take it from here:

And last but not least, the sons of December birthday boy Frank Zappa (whom my roommate and I have decided is God and have declared December 21st Zappamas in honor of The Great One), singing a modern Christmas favorite:

Now may all your days be mellow, and may all your Zappamases be yellow.

Oh, and Happy Holidays to all, regardless of your faith/culture/celebrity obsession.